Friday, July 27, 2007

You’ve Come a Long Way, Baby

LAST week I was trying to find gifts for newborn twins adopted by an architect friend and his graphic designer husband who live in Los Angeles. They are two new additions to the many, many children I know now. In a giant wave of childbearing and adoption in the last few years, I have become Crazy Uncle Mike to no less than 12 toddlers and infants.


Donna Alberico for The New York Times

These twins in particular are nearly impossible to shop for because their cultured, styled parents are impossible to shop for. The usual baby gift won’t do — you can bet the little creatures already own sophisticated pacifiers and “Goodnight Moon.” These are the kind of children whose first word could actually be “Koolhaas.”

Luckily there is Mini Jake in Williamsburg, a place for childless uncles to select presents for the savvy munchkins of today. Its high-design offerings make it a prime location for the sharpest — and sometimes most perverse — children’s products.

Mini Jake was started by David Jacobs and his wife, Inga Rogers, as an offshoot of Two Jakes, the office furniture store that Mr. Jacobs owns with his brother. In 2005, he put out a couple of cribs in the shop, and after witnessing the rabid response, opened Mini Jake, which is dedicated to children’s furniture. Mini Jake soon outgrew the space like training pants, and moved into this 3,000-square-foot warehouse in June.

“Everyone who was buying Dwell and Eames chairs suddenly had kids,” Mr. Jacobs said. “There was a void to fill.”

With 20-foot ceilings and two skylights, the light-drenched space is divided into sections that include toys, books, bags, buggies, bedding, newborn essentials and, in the center, a grid of cribs, dressers, rockers and bassinets, all as shiny and presentable as new cars. The store is dustless, colorful and clean-lined — sort of how I imagine a day care center in Copenhagen to look.

And, actually, as I walked around the store, I began to notice a predominance of Nordic names: Flensted Mobiles, Svan Bouncer, a loom from the Swedish toy company Brio. In the front of the store were pieces of layered foam carved into fish, pig, giraffe and elephant shapes, made by the Danish company bObles ($39 each). Just now being introduced in the United States, they seem like cooler, chic Nerf balls. A box showed a child standing on one of them, with blunt-cut bangs and a fulfilled Danish smile.

I hovered over the Haba Kugelbahn ($84.95), a set of troughs and chutes for marbles, which I wanted to tear open and play with on the chalkboard-topped Fundy play table ($399.95). Then I spent a long time marveling over the Antquarium ($24.99), an ant farm filled with a clear gel so you can fully see your pet insects at work. Everything was so spotless and clever, it made all the detritus I grew up with — plastic highchairs, Legos, Fisher-Price toys, awkward potty seats — look like clunky artifacts from a primitive culture.

IT was surprisingly quiet when I was there. Two fashionable mothers sauntered around, their children comatose in strollers. One woman was in a trendy lime-green sack dress with her long hair loosely bunched up in the back. She roamed around the diaper bags with the same focus she had probably given to a pair of Jimmy Choo slingbacks 10 years earlier.

One contraption that caught my eye was the Stokke Xplory stroller, which has an elevated seat and a horizontal bed for a baby. Intended tor lift your children away from the street and place them closer to you, the stroller looks like an overdesigned lunch cart. According to the Mini Jake Web site, the design is also meant to “stimulate the all important social interaction between parent and child,” thus promoting bonding.

The complete stroller, which includes an attachable bassinet, costs $999. It is the most expensive stroller in the store, even more expensive than the notorious Bugaboo Frog, which at $759 transformed the industry when it appeared on the market in 1999, rejiggering the price point for the simple stroller much like Starbucks normalized the $2 coffee.

Wednesday, July 18, 2007

Roman Holiday


What part of Valentino’s extraordinary 45th anniversary party will people talk about most? Dante Ferretti’s recreation of the Temple of Venus and Rome, with the Colosseum right in front of you? The feeling that you were seeing 30 years of W magazine come alive? The fact that everything was glamorous and extremely classy yet relaxed? The exhibition at the Museum of Ara Pacis? The moment at the museum when Valentino took Karl Lagerfeld’s hand and walked him around to some of the displays? The Chinese-themed tent near the Villa Borghese that was built just for Saturday’s black-tie dinner, and will be torn down tomorrow? The $10 million-plus price-tag for the weekend?
I couldn’t say. It was all pretty amazing. Each experience offered something different. But for me, the highlight of Valentino’s 45th was his fall haute couture show. It was far and away the best Valentino show I’ve seen, and really a standout among couture collections. It was held in two long, adjoining halls. Down the entire length of both walls, hanging three deep, were black-and-white photographs of Valentino’s fashion. The runway was done in a glossy, black-and-white tile pattern. The suits that opened the show were pure Valentino, as if he knew this was a strength and wanted now to refine and modernize it. The suits were small and trim-fitting, the Valentino ideal, but with details like chinchilla pockets or a black wool jacket with a bouillonne of black tulle at the waist. It’s easy to talk about the new wealth that is ostensibly available to haute couture, but where is the informed sensibility that serves as much as a guide as a counterweight?
Another design by Valentino Garavani. (Victor Sokolowicz/Bloomberg News)
The cocktail and evening clothes were fantastic. Toward the end of the dinner last night, they ran a clip from the documentary that Matt Tynauer, a Vanity Fair editor, has been working on for a couple of years and will finish this fall. It showed Valentino preparing a collection with his atelier, and the level of care. Well, you saw that in the show. My favorite dresses were a pewter lame gown with sheer, embroidered straps and a swag of lame over each shoulder; one in black satin with a tiny bolero of embroidered smoky tulle, and another that was embroidered entirely in emerald-green ostrich feathers and worn with a matching duchess satin coat.
Lagerfeld stayed for both days. That seemed to surprise a lot of people. He and Valentino first met, 52 years ago, when they were young assistants in Paris. At the fashion show, Lagerfeld sat next to Princess Caroline. I was sitting across from Diane Von Furstenberg, Zac Posen, Manolo Blahnik, Tom Ford, Donatella Versace, Giorgio Armani and Carolina Herrera. When Valentino came down the runway, he stopped in front of the other designers and did a little bow. When he came back up the runway, he had tears in his eyes. I don’t know if this collection summed up 45 years, but I do know that I had witnessed something special.